![]() The ending will haunt you for days.ħ-The Incredibles - Pixar’s most joyous and enjoyable movie since the original “Toy Story,” Brad Bird’s slap-happy action extravaganza is at turns wacky, warm and philosophical. Regardless, this story of an embattled young couple abandoned at sea may be the most disturbing film in years. Gael Garcia Bernal cements his status as international cinema’s rising young star.Ħ-Open Water - 2004’s most original and disturbing thriller was unfairly maligned for low production value and a nearly non existent plot. Paul Giamatti deserves the Oscar.ĥ-Motorcycle Diaries - A historically inaccurate biopic that wears its heart on its sleeve, the story of Che Guevara’s 5,000 kilometer motorcycle trek through South America is beautifully shot, smartly written and well acted. A simple tale of two frustrated middle-aged nobodies on a last-ditch effort to live like young men, the movie speaks volumes about loyalty, failure and love. ![]() All four leads give subdued and stellar performances.Ĥ-Sideways - Set against the stark beauty of California’s wine country, Alexander Payne’s fourth film is by far his most generous. It’s also cinema’s bravest and most exciting leap toward the candor and complexity of literature in years. ![]() Uma’s performance, RZA’s soundtrack - everything about Tarantino’s epic is simply pitch-perfect.ģ-Closer - Everything that you’ve heard about this movie is true. 2 - Quentin Tarantino’s two biggest strengths - gaudy dialogue and gaudy violence - have never blended so seemlessly or with such delirious enthusiasm. Jim Carrey and Kate Winslet turn out the best performances of their respective careers.Ģ-Kill Bill: Vol. Charlie Kaufman’s hectic meditation on love, longing and memory explodes with wit and grace. 2” - emerged as near-consensus favorites of the Daily’s critics.ġ-Eternal Sunshine of the Spotless Mind - The most satisfying film experience this year. Despite the lack of a cohesive direction, a few films - “Eternal Sunshine of the Spotless Mind,” “Sideways” and “Kill Bill Vol. From the off-kilter absurdism of “I Heart Huckabees” to the blockbuster sensibilities of “The Incredibles,” 2004 featured an eclectic collection of original films. Brooks’s “Spanglish” spring to mind –- the year was filled with delightful surprises and pleasant performances. While many of the big-name efforts fell flat - Steven Soderbergh’s “Ocean’s Twelve,” Oliver Stone’s “Alexander” and James L. In 2004, big filmmakers were supposed to make a big splash: delivering highly anticipated sequels, reveling in the true-life troubles of American icons and shaking up the November election with caustic documentaries.
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